FAKE (Sanami Matoh) + OVA

Much how I feel about most ‘classics’ in literature, this is a series that I wanted to have read, but didn’t actually want to read. When it comes to yaoi, I usually feel this way about early 00s-era multi-volume 16+ series, like Gravitation. Whether or not Fake and Gravitation would be regarded as ‘shounen-ai classics’ (at least in the US market) is debatable – actually I don’t think the subgenre has been around long enough here, much less with any real visibility, for people to start throwing around that word yet. Still, they’re perhaps among the most well-known of the shounen-ai books, if only because they didn’t have a lot of competition back in 2003. More pontification on that after the jump.


The reason I shy away from these older multi-volume 16+ series is largely because 1) pacing issues/too much filler, which affect a lot of multi-volume series tbf 2) a large time commitment 3) nothing explicit 4) the drawing style either feels outdated or just isn’t up my alley. 5) They’re often mostly geared towards a teenage audience and not an adult one. I also think context needs some consideration, these series are a product of their time. 2003 was a year before you could easily pull up free manga/scanlations/porn on the internet, or actually, really anything on the internet, because you probably still had dial-up and your mom had to hang up the phone for you to log onto AIM. June wasn’t even around yet and you couldn’t exactly go down to the bookstore and buy anything resembling a Sakira title, and the LGBT community was less visible than it is today. Yaoi was pretty underground stuff, difficult to acquire and definitely not in English.

Continue reading “FAKE (Sanami Matoh) + OVA”

HATE TO LOVE YOU (Makoto Tateno)

I came across this title fairly recently and remember being surprised when I saw the author – first, I didn’t know Double Penetration Deux Press licensed any of Makoto Tateno’s work, and second, I thought I owned all of her English-licensed BL titles (that even includes Happy Boys) because I love her stuff – while not always draw-droppingly amazing, her work is consistent, and seems to be always to my taste. But somehow this one fell through the cracks on my list – her first BL title too! So of course I was curious how well she spread her wings when jumping from the safe warm nest of shojo into the vast, cloudy expanse of butt sex. And jump she did!

Continue reading “HATE TO LOVE YOU (Makoto Tateno)”

OTHELLO (Toui Hasumi)

If I had to guess which yaoi books on my shelf be legitimatly tear-inducing, Othello would probably have been in the bottom half of that list. An R16 that looks kind of like a lame vampire story with that gothic cover font? Nah. Yet, as it turned out, to say Othello was moving, beautiful, and heartbreaking would be an understatement – this book absolutely came out of left field. I guess really I just wasn’t expecting it to be so touching, much less serious.

You’re probably wondering what the hell is so special about your standard oversize mid-2000s R16 June book, of which there are dozens. Trust me, I was surprised too.

Continue reading “OTHELLO (Toui Hasumi)”

LOVE QUEST (Lily Hoshino)

Love Quest is the book that popped my Lily Hoshino virginity. I was starting to get self-conscious about it, so figured I better suck up the pain and get it over with. Despite countless ads in the back of June books touting her as the ‘queen of yaoi’ (a title which I can only assume was bestowed by someone who clearly has not read a lot of yaoi), her work does not generally appeal to me, because you honestly can’t tell who has a penis and who doesn’t in a lot of her stories. At least for one character in this one it turned out to be correct – though the two (three?) ukes all looked very, very feminine. Too feminine. I mean come on, that dude on the right looks like he’s about to shoot a Maybelline commercial.

Continue reading “LOVE QUEST (Lily Hoshino)”

SEVEN DAYS (Rihito Takarai): The Originals and Reprints, Side by Side

Note: this is an old article and probably needs some historical context. The jist is that at one point this series was extremely popular and a hot seller for DMP, driven off the popularity of the mangaka’s other work Ten Count, and they tried to either save a buck or speed up the printing process by using the “print on demand” method, which gave them questionable results that were much-lampooned online at the time. June later lost the license to this series and SuBLime republished it in omnibus format in a rare license rescue endeavor, making June’s edition not as valuable or sought after as it used to be.

—————

Thanks to Seven Days, I haven’t heard so much hullabaloo about the reprints of a yaoi series since Junjo Romantica. The yaoi forums and blogs I follow lit up with more fife about this than CNN did about the most recent North Korean nuke launch. And you can guess which one was a more important issue, I’m sure. But seriously, I wanted to know if the quality discrepancy was really as big as people were saying. If you’re a regular reader, you know that I buy/sell/trade a lot of yaoi and manga in general, and I just happened to have the reprints come down that stream last month. So I decided to compare them to the original printings in my collection and inform you on the findings. Are you in the market for this ridiculously expensive and sought after series thanks to Ten Count, and aren’t sure how many fecks to give about the issue? Hit the jump to find out!

Continue reading “SEVEN DAYS (Rihito Takarai): The Originals and Reprints, Side by Side”

ZESTY (Yaoi Press/Studio Kosen)

Zesty is apparently a free shounen-ai web comic made by Studio Kosen/Kosaru, the Spanish studio whose work is often featured in US-based Yaoi Press Publishing. I say “apparently” because the introduction mentions it, I haven’t read the webcomic. If they said it was subversive literature encoded with secrets symbols to bring down the regime of Kim Jong Un, I would just as easily believe that.

Continue reading “ZESTY (Yaoi Press/Studio Kosen)”

A KING’S LESSON (Futaba/Mitsuba)

…in which I learned that apparently Japan isn’t really familiar with Christmas lights. I know they don’t really celebrate it like we do but I definitely saw them on the trees when I was in Japan around November, maybe they just don’t associate them with the holiday? Hmm. Oh, also, there’s a weird weiner in here. Like, not that I’m a professional, but I’m pretty sure they’re not supposed to look like a wet finger.

Continue reading “A KING’S LESSON (Futaba/Mitsuba)”